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Hildegard von Bingen probably created the Ordo Virtutum for the dedication of the convent
she established at Rupertsberg, near Bingen on the Rhine River in Germany. The work is the earliest extant liturgical
morality play, and it is preserved in the "Riesencodex," a manuscript weighing
about twenty-five pounds. The work was
probably first performed by sixteen of the fifty women living in the cloister, with the
role of the Devil spoken by the monk Volmar. Volmar
was employed by the community to administer the sacraments to the nuns and, together with
Richardis von Stade, one of the nuns, to act as Hildegard's secretary. Hildegard
was born in 1098 the tenth child of Hildebert von Bermersheim and Mechthild. By the age of five she had demonstrated
extraordinary visionary powers, and at eight her parents dedicated her to the religious
life at a Benedictine monastery. She became
abbess at thirty-eight, and continued to develop as an administrator, poet, musician,
scientist, and mystic. She was consulted by
popes and kings and was greatly respected throughout western Europe. She lived to be eighty-one years old, working
productively until the end. The music for the Ordo Virtutum is closely connected with the Latin text, and it is notated in neumes, symbols above the text showing the melodic pattern. One of the characteristic patterns of Hildegard's music is a rising fifth followed by a rise to the octave. Her music is highly original, and there is a vibrant connection between the emotional imagery and the expressive melodies, consistent in style, but infinitely varied. To view a translation of the music drama, click here. |