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MAKING
THE MASTER
ìDittoî
or ìSpiritî Masters
While I had intended to
begin the hecto forays with hecto inks, I was unable to locate
materials (and time) in the spring of 2001.
Instead, I fell back on the more modern method (and
that described by the Glovers).
This method uses ìdittoî or ìspiritî masters,
items some may recall being used on mimeograph machines,
precursors of the ìXeroxî machine.
I recalled ditto masters being
available in color and had concocted a 3-D Christmas card using red and green
ditto master in the 1970's.
However,
I could only locate purple ditto masters locally and (on the
web) in the USA. Relentless
surfing, though, soon led me to the shores of Brazil and a
young Brazilian named Rafael Oliveira.
Oliveira had been an exchange student at Meridian High
(Meridian is a town a few miles from Boise State
University!) but now works for Helios Carbex, a firm that stocks ditto masters in red, green, blue, purple and
black in Sao Paulo.
This portion of the hecto saga,
then, begins with the haps and mishaps of ditto master hecto
printing in the spring and fall of 2001.
From
the Glovers:
"Spirit
Duplicator" carbons (one UK trade name is 'Banda').
Ordinary carbon paper will not do. These sheets come in a
range of colours, but purple seems to be traditional. You
prepare your master by typing or printing (with an impact
printer, not a laser or inkjet!) so that the carbon material
comes off onto your master sheet.
Using the duplicator:
- First, moisten the surface
of the bed by swirling cold water across it and wiping it
dry with a fine sponge. There should be no droplets of
water left at this point.
- Take your master copy and
lay it face down on the gel, smoothing it down with the
back of a spoon (or by hand), taking care to avoid bubbles
and areas that are not in contact with the surface.
- Leave it there for a few
minutes to allow the ink to transfer into the top of the
gelatin (care: the longer you leave it, the deeper the ink
goes, so the more copies you can make, but if the surface
was too wet, you run the risk of incurring the wrath of
the Dhemons of Diffusion).
- Remove the master carefully
(it may be re-usable, depending on how many copies you
need) -- if it tears, never mind, the surface was too dry
anyway.
More
about the press/bed
From
Recipes for Art and Craft Materials,
by Helen Roney Sattler
(New York: Lothrop,
Lee & Shephard Company, 1973)
How to Use It:
A Hectograph Pad is used to make duplicate copies of
letters or pictures. First
write a letter or draw on typing or similar paper with
Hectograph Ink, hectograph pencils or copy pencils.
Gently sponge the surface of the gelatin pad.
The pad should be wet, but there should not be any
puddles of water. Place
the letter or drawing on the pad, face down, and rub out all
wrinkles. Wait
one minute, then remove the master sheet. You can now make copies from the pad. Lay clean sheets of paper, one at a time, over the
drawing. Smooth
it by rubbing out wrinkles. Remove immediately. You can make as many copies as you want in this
manner. When
you are finished, wash the pad with a sponge and cold
water. When dry, it will be ready for reuse.
If the pad dries out from
lack of use, cover the top of the gelatin with warm water.
Let stand for a few minutes, or until it no longer
feels dry when sponged.
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